PANGEA ON THE SCREEN 
 
Exhibition Title: Pangea on the Screen 
 
Artists: Ana, Diddy, F2P, Hironobu Sakaguchi, inu, Issei Yamagata, Jukai Fujino, Kabi Hoshino, Kapja, Kei Kurono, M-64, Runa, Salad Alien, Wong Fei Fong, and more 
 
Curated By: Issei Yamagata ( http://issei.in/ ) 
 
Date: July 1 – July 31, 2019 
Installation view 
Jukai Fujino, FIJI, 2019,  
PET plastic bottle, water, text on paper, 205 x 175 x 28 cm 
Jukai Fujino, FIJI, detail, 2019, 
PET plastic bottle, water, text on paper, 205 x 175 x 28 cm 
Kabi Hoshino, Tremendous pure drawing, 2019, 
Pencil on paper, 14 x 10 cm 
Kabi Hoshino, Tremendous pure drawing, detail, 2019, 
Pencil on paper, 14 x 10 cm 
Hironobu Sakaguchi, Hawaii, 2019, 
Macbook, coconut, strow, 32 x 35 x 50 cm 
Kei Kurono, The Millennial Fair, 1995, 
Oil on canvas, 130 x 97 cm 
Issei Yamagata, Untitled, 2018, 
Pencil on paper, 72 x 103 cm 
Issei Yamagata, Sample, 2017, 
Acrylic on acrylic board, 90 x 28 x 2 cm 
Wong Fei Fong, The green gel, 1998, 
Pencil on paper, stone, wood, bracket, 42 x 15 x 17 cm 
Runa, Untitled, 2019 
C print, photo frame, trolley, 60 x 55 x 90 cm 
Salad Alien, Forever love, 2009, 
Tooth, ring, 3.5 x 1.5 x 1 cm 
Salad Alien, Forever love, detail, 2009, 
Tooth, ring, 3.5 x 1.5 x 1 cm 
Salad Alien, Forever love, detail, 2009, 
Tooth, ring, 3.5 x 1.5 x 1 cm 
Kapja, Past got weak distance, 2019, 
Waterproof print on board, 90 x 120 x 2 cm 
 
Ana, I go to foreign country with lars von trier, 2019, 
Silver print, photo frame, airplane seat tray table, 7.5 x 10 x 3 cm 
Ana, Untitled, 2019, 
Glass, marble, 90 x 220 x 90 cm 
Ana, Untitled, 2019, 
Glass, marble, 90 x 220 x 90 cm 
F2P, Installation view, 2015, 
Video (3min), airplane seat monitor, 20 x 15 cm 
F2P, Installation view (Poverty box, Wasted retina, Untitled), 2011 
F2P, Installation view (Poverty box, Wasted retina), detail, 2011 
F2P, Installation view, 2011 
inu, To curly hair, 1957, 
Silver print, locket, rope, 8 x 4.5 x 1 cm  
inu, To curly hair, detail, 1957, 
Silver print, locket, rope, 8 x 4.5 x 1 cm 
M-64, Eight coins, 1996, 
Coin, Dimension variable 
Diddy, Floating Earth, 2019, 
3D printing material, acrylic, magnet, 45x 20 x 20 cm 
Diddy, Floating banana, 2019, 
Banana, magnet, portable power bank, 45x 20 x 20 cm  
 
 
 
 
 
 
 
Everyday, on the screen, we face images of someone’s works and installation views from an exhibition held somewhere in the world while spending our daily life. We are now able to experience more exhibitions on the screen than visiting them in real life. 
 
An archive and publicity are the original purposes for taking the images. They often circulated with some related images and we imagine “the exhibition” through them because they show a sequence like a montage effect of movies. 
 
On that occasion, the images make the new experience of an exhibition working beyond an archive or publicity. That is to say, the images generate another exhibition on the screen. The images need not be subordinate to real life, and in the same way, the exhibition comes into an experience no matter how the images are proven to be a real one. 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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